![]() ![]() It’s just that Resolve 14 actually works properly!Īs for the audio editing side, with the acquisition by Blackmagic of the world famous digital audio company Fairlight. Well Blackmagic seemed to take inspiration directly from Premiere and you’ll have a hard time telling them apart in terms of design. One thing people DO like about Premiere is how straight-forward the user interface is for editing and it is what we are used to. We all know Resolve has the professional colour grading chops but what about the editing and audio side?Īs you can see from the screen shot (above) this is a HUGE improvement on previous versions with just about everything at your disposal with a clean UI. Then there’s the pricing – the subscription model works out incredibly expensive long-term compared to the sub-$300 FCPX and Resolve. For such a mature product-line from a major corporation it is extremely unstable. ![]() Performance is backwards compared to both FCPX and Resolve 14. Indeed the one positive change in Premiere CC has been to the Lumetri colour grading tool, the rest of the NLE just hasn’t moved with the times. I gave up on using FCPX several years ago and Premiere has gone backwards in reliability terms for me. The license still sits on a USB dongle, so you need one license per machine.īlackmagic announced at NAB 2017 they are also rolling out a worldwide training & certification program for Resolve 14.Īdobe and Apple have both been disastrous recently so the timing couldn’t have been better. Amazingly the standard Resolve 14 remains free to download and the professional Studio version of Resolve 14 has had a major price cut from $1000 to $299. Resolve 14 finally breaks the spell of the Adobe-Apple duopoly on video editing, which has gone on for far too long. The Public Beta can be downloaded now from Blackmagic. Should you take the time to learn this software, you’ll be rewarded with one bullet proof app for your entire workflow. EditReady's unique color pipeline simplifies this process, translating everything to what it should be.Comment on the forumīlackmagic describe Resolve 14 as a revolutionary release. When mixing camera formats, one will inevitably end up with different color spaces, Log types, HDR formats, and LUTs. It uses each vendor's specific RAW decoder and the vendor-preferred Log format to ensure high-quality proxies that are easy to edit and maintain the flexibility of non-RAW formats.ĮditReady also comes with Color Awareness, its ability to mix and match different types of footage without loss of quality. When dealing with RAW, EditReady will do all the heavy lifting. Plus, users can view and edit all the metadata associated with files, which is helpful for automatically renaming files or burning data into overlays. How’s the transcode quality?ĮditReady uses each manufacturer's original SDK as part of its True Codec Support, so it guarantees the best quality transcodes-no unofficial frameworks or hacks. This brings a fresh new approach to the transcoding landscape. Versatility and Speed: With EditReady Server, you'll experience the same adaptability, compatibility, color management, and speed that is available in the original EditReady.Command line tools are at your disposal, simplifying the way you work. Headless Operation: No need to wrestle with setting up workflows through a GUI.Seamless Integration: EditReady Server easily fits into your existing workflows and pipelines, smoothing out the post-production process.This translates into a few key wins for its users: What’s the difference between EditReady and EditReady Server?ĮditReady Server is a streamlined version of EditReady that presents the solution in an accessible command-line interface.ĮditReady Server is a transcoder application that supports all major RAW codecs, complete with color management and automation. This means getting footage from the camera to into a NLE in record time. * Note that this integration is for EditReady Server and currently only supports transcoding on Apple macOS.ĮditReady is not only incredibly fast and precise but also optimized for both old and new Macs, taking full advantage of Apple silicon and GPU acceleration. By simply connecting a camera to an on-premise storage watched by the ISG, files will be transcoded and indexed in iconik. Iconik users can now easily transcode footage from an ISG for web previews and edit proxies. Photo by Zachary Vessels | Pexels So what does this integration mean for iconik users? ![]()
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